Friday, 19 November 1875

"Come to us this evening," Maman said to the Surprising One, the last time we met him.
"I thank you very much, Madame," replied the Surprising One, "but this evening I have a great many things to do in town, and a great many people to see about business. Another evening, with pleasure."
"Oh! another evening," said Maman, "that will never come, for the day after tomorrow my sister and my daughter are leaving."
"No! Really! But no, you cannot be leaving. Mademoiselle is not leaving — is she not leaving, Mademoiselle?"
"Indeed I am, Monsieur; I am leaving."
"But she will be back in a week," Maman interrupted.
"Oh! in that case," cried the Surprising One, "go, go quickly — be off at once, at once!"
Why did he speak like that? Blasted dog!
Ah! These Audiffrets, these Audiffrets!
But the lot of them! The blasted son is a horror in himself, and the blasted daughter, his sister, who spoke so ill of me: "I shall mention it to Émile — it is not proper to associate with people who have no fortune and no reputation; they cannot return to Russia" — that is what she says. Abominable girl. When one has a mother who produces children with noses like Émile's who squint, one does not speak so loudly.
No, but do you see this endless lawsuit that pursues me! My God, You alone know to what degree these calumnies grieve and offend me.
But bah! No — that is not what I meant to say. I am in a talkative mood this evening; I chatter with my aunt, I complain about Marie Audiffret. She replies that Marie Audiffret is a street girl, a piece of filth. I maintain that she deserves every punishment for having formed, without knowing me and based on abominable gossip, a bad opinion of me — and above all for having spoken so disgracefully ill of me.
I seize a sheet of paper and write:
Blasted old dog!
Your daughter no longer loves Gnom,
She is in love with the doorman of the Théâtre Italien, who is most handsome — and I send this to Dina in Nice, who will dispatch it as though it came from Nice.
I wanted to howl this morning, but I stopped myself — it would be too much like the dogs. I sigh and I laugh.
It is amusing.
"Good God," I said to my aunt yesterday, "you actually think I am capable of falling in love! What I want is wealth. If my heart beats faster, it is when I see magnificent carriages and splendid horses; if I am moved, it is with longing to have all of it."
"No, Madame — even if I loved someone, the luxury I see here would cure me soon enough. You do not know me, or you pretend not to."
I have never spoken more truly, and my aunt was convinced. She set about consoling me, calculating, trying to obtain more money to satisfy my needs.
I adore goodwill in people.
But listen — it has taken quite a detour, the railway line leading me toward the Duke of Hamilton. I mention him because yesterday he suddenly presented himself to my mind so beautiful and so incomparable that I am still quite seized by it.
Oh! but I am not ashamed — the man is worth a detour, truly; he is an adorable boy. Only one thing vexes me: that he will not have me.
It is outrageous.
His sister, his blasted sister — that girl who runs after an opera tenor. That dreadful girl!
It is she who has caused him to stop coming! All right — now I am raving. What I am saying is absurd, yes — for if he cared, what sister or what devil would prevent him from coming?
All the same, I bear her a deadly grudge, that Niçoise.
I spent my day between Laferrière and Worth. It is full of interest — for fashion at this level constitutes an art, a talent, a science! Clothes taken to this degree of perfection are... a... a... un sucre. How tiresome life is when one has not at least three hundred thousand francs a year.
I am having a dozen dresses made, several hats, coats — and stop there! It is absurd! One ought not to be constrained by such things. Oh, money, money! I need it. I shall take any husband whatsoever, provided he gives it to me.
"And she is sixteen and has ideas like these!" cried my aunt.
"Yes, Madame — not since sixteen, but since thirteen, since always."
Love is to be found everywhere and for nothing — that is not what concerns me.
"You are mad," my aunt tells me.
"That is my opinion too, but what is one to do?"
"If you go without sleep for ten nights, wealth will not come any the sooner," she adds. "Now go to bed!"
"Ah! It is heartbreaking! That Marie Audiffret, and this wretched money! Madame, you must find me a husband!"
"With Émile?"
"Certainly not — he does not suit me. Oh! In a few days I shall be seventeen! Another girl would rejoice; I weep over it! It is abominable to grow old — I believed I should always be sixteen!"
Good God, I no longer know what I am saying. My novel progresses; it will be charming.
I am going to bed.
How tiresome life is when one has not at least three hundred thousand francs a year!
[Crossed out: I could perfectly well say to Audiffret like (the rest illegible)]
I am stupefying myself in Paris; I no longer dress properly — but how is one to dress when one spends the day going from shop to shop, even if by carriage.
I have written a heap of nonsense this evening; my thoughts are very tangled, and the novel above all — shall I make her loved? The... no, it is useless to speak of it here; one would understand nothing. I shall attend to it tomorrow morning.
I have just sent to Dina for her to dispatch two more letters. The first:
Wretch! You will rot and never be crowned the village maiden!
And the second:
Old mad broken-down creature! Your blasted son will rot and will never be crowned the village maiden.

Notes

Un sucre — literally "a sugar": Marie's favourite expression for something delightful to the point of perfection. Kept in French.
Rosière — a prize awarded annually in some French villages to the most virtuous young woman. Marie applies the feminine word to Audiffret for maximum mockery.