Saturday, 13 November 1875

I walk with my aunt; Godard and Chevalier are seated on a bench — before, they would have rushed over; now they merely salute.
I walked along the Promenade and prayed to God — who would have supposed it?
I still believe, I still pray. Is it possible that it is always in vain! It is enough to drive one mad!
When I get back into the carriage, Audiffret appears. Is it possible that I am nothing to him any more.
It still seems to me — no; that he is posing; that it will pass!
Absurd girl!
Ah! That summer, that summer! God gives me a few days of calm so that I feel the torment all the more afterwards. That is wicked!
Have I prayed in vain! It would be enough to make me curse the whole world!
He was the man who made me fashionable — without him, nothing.
If I write another hundred pages I shall say no more, nor anything different.
I take my Graces to dinner and numb myself with laughter. While I change my dress, Giroflé is with me. I must always have someone to hold by the collar while I talk, to think aloud, so as not to brutalize myself.
At the Antonoffs' I had misunderstood everything — he had written nothing at all; he was amusing himself by pushing a piece of candle-guard that Paris had broken into a stamp.
How like him! He did not approach of his own accord — but Saëtone told him:
— Audiffret, sit here and talk with Mademoiselle. — I shall not sit down, replied the Surprising One; but then sat down, saying: I shall try to be as entertaining as M. Saëtone.
Before dinner we go walking on foot — the moonlight is surprenant... I say a thousand mad things with Olga, and if Dina and Marie had been as wild as we, a great scandal would have ensued, for we wanted to dance in a circle around a priest who was passing, and then go to the London House.
Olga is writing a novel, apparently. After dinner we go to fetch it; I shut myself in with the girl and read — but at the second page I stop, and propose that we write one together. I supply the idea, everything, everything, everything — and the girl imagines she is composing too. It will be the story of Dumas and La Tour de Nesle — but I shall not assert my rights.
I set her to write me a love scene for tomorrow.
The girl has no pretensions and asks me for ideas, details, corrections, with perfect naivety. As for me, I set to work and in one stroke write the entire first chapter — in which my hero leaps through the window, breaks down a door, etc. etc.

(continued)

Bravo, Nice! Splendid weather and a crowd of people. Not before time.
And there is my friend — that dear signor Manara!
[Crossed out: We barely had the honour of his tip of the hat.]
Further on, master Audiffret, who salutes us through the trees — then everyone. Manara and my man run into each other and walk together, but when we step out of the carriage they are nowhere to be found.
As there is a crowd of visitors, my white attire produces its effect.
I return sad. Since this morning I have been on edge.
— The least word will make me angry, I said this morning — and I shall make scenes over nothing; so leave me in peace, do not speak to me!
While my family dress for the theatre, I shut myself in my room and weep. They are giving Le Panache — for the first time — the great success of the Palais Royal in Paris.
Léonie knocks.
— What do you want?
— Mademoiselle Dina sends to ask once more whether Mademoiselle will go to the theatre?
— No, no, no, I will not go!
Ah! if anyone thinks I shall go! No — the devil take me if I do! What for? What do I care for the play! I would rather not show myself; that way I shall be more at peace.
All declines are abominable.
If I were a man and a woman resisted me as Audiffret resists me, I would commit every conceivable folly.
But soon I shall be calmed, one way or another — for I am too irritated, too suffering, for such a state to last.
If at least the others had remained faithful!
Godard has not yet paid a call.
Oh! Something to break — give me something to break!

Notes

La Tour de Nesle (1832): the famous Romantic melodrama, subject of a notorious authorship dispute between Alexandre Dumas père and Frédéric Gaillardet.
Le Panache (1875): a popular comedy from the Palais Royal theatre in Paris, known for light vaudevilles.