Tuesday, 19 October 1875

I got up; at seven o'clock I was at Maman's. I feel on edge and fear I may weep at any moment. I should like to lie down somewhere and see no one.
What a pity I cannot set fire to no. 77. I swear to you that in cold blood I am ready to do it and with the greatest pleasure.
And also to set fire to the château. I would watch them both burn without moving and without being moved. For want of being able to do it, I think it and write it.
No — tell me — to prefer a kept woman to me! Imagine my fury! I, the queen, the goddess — I who should be adored on bended knee — I who do not wish to lift a little finger for fear of doing too much honour!
I — with my ideas! I — with my ambition! I — with my pride! I, I — left standing there, in plain terms, by Emile d'Audiffret, the lion of Nice, the lord of the Tower!
I have wept again this morning. Oh! God will not send me anyone — for I have to take my revenge on whoever it may be for Girofla.
His self-satisfied, triumphant air is a fresh insult. He dares copy the Duke — and he is not ridiculous, and he carries himself admirably.
Where the devil did he learn those manners? Where? From the Duke — [Crossed out: it is simple] — by God! And there is nothing to ask, since I know perfectly well. Ah! If only he could be ridiculous or common! He achieves his effect entirely; here is a man who succeeds at everything. He does not do it deliberately — he simply goes his way; is it his fault if he is handsome?
I admit that after watching him enter Gioia's house like a master, I feel a sort of respect for him — he does as the Duke did.
In full view of the Promenade, to enter her house — accompanied by the Prefect.
But how did their reconciliation come about?
All at once, just like that — I understand nothing.
Yesterday to steal my portrait — today to go to the green perch!
I am greatly humiliated and do not know what face to put on at home;
They have all got it into their heads that the man was mine, and they will look at me! Dina, Maman, and my aunt will turn away from the subject with delicacy!
Oh! Fury!
They will think I love him, that I am scorned. May the earth swallow me — but spare me this affront.
Oh my God, God! Does He hear me? Does He exist? What I am saying is abominable!
After considerable difficulties my coiffure succeeds and we go out.
I cannot bear our blue box and our nags! I seem to myself small, crushed, ill made!
Fie! What an ugly feeling. But here, passing near the public gardens, I see in the distance a cab with a man inside; I do not know why this man — who was ugly — reminds me of the Duke; I see him alive and so naturally that my heart beats and "I am still quite overcome," as they say in Giroflé-Girofla.
And how beautiful he is!
Beautiful — more beautiful than a man — beautiful as a god! I adore him with all my heart, with all my soul.
Why did he appear to me? Oh! No matter — I thank God for it. I love him so!
[Across the page: It is Hamilton this speech is addressed to — what exaltations!]
Winter is beginning; this cold air comes; Nice becomes as I love it. There is some company on the Promenade. After driving in the blue box with Maman, Dina, and my aunt, I go on foot with the latter.
Pirate promenades in a victoria with two fine black horses. And I in my blue box! Oh!
Girofla passes in a cab. "There is Bibi," I say, greeting him. Bibi is pleasant.
We get back in the carriage and stop in front of Nina's. While Dina went up, Walitsky came and said he had seen Bibi near the café, leaning gravely on his cane. The Duke used to lean thus. At that very moment I felt a fierce desire to see him — Bibi.
But why, you stupid girl! I asked myself. Why — by God — for the pleasure of seeing him, I replied. While I debated whether or not to run after Bibi, he passes, calling to his driver: Stop here, somewhere to the left — and greets us once again.
I found him entirely Bibi in the five-o'clock fog.
Dina says he greeted Olga at her window. And Bibi is quite jealous — this time Bibi is me. I cannot rid myself of this word. One day Bibi-Girofla, speaking of himself, said "Bibi." Olga repeated it several times, and today everything and everyone is Bibi to me.
I was saying therefore that Bibi-me was jealous of the greeting. Jealous of everything! Bibi was at that moment delighted at having seen Bibi and was going home — and she saw Bibi again, holding Saetone about the neck with perfect ease.
Bibi is far from turning away as Bibi had supposed.
Bibi is a half-mad girl and her mood changes ten times a day. This morning she was weeping and now she is in the most joyous humour. There is nothing more tragic; she sees everything through rose-coloured glass and wishes only to see the good side. The elegies, the humiliations — that was good for this morning, not for now. Now Bibi has been out walking around five o'clock; the weather is so beautiful — no more sun, a little fog as when the Duke was here; faces blur in the dusk, for it is not yet night and no longer day; it is cool; and Bibi is so happy that she frankly admits she is taken with Bibi, finds him adorable, and that he is truly the most charming Girofla imaginable. Note that Bibi does not say the most charming man — Bibi says Girofla; for Bibi there are Hamilton-type people, Girofla-type people, Saetone-type people, etc.
Bibi and her Graces have erased the word love from their dictionaries; in its place:

terffiduer — from Terffidua enoteasser — from Enoteas pépiner — from Pépino
Bibi reserves the word hamiltonner for herself alone.
Thus she terffidues Girofla.
Bibi would very much like to follow him and see when he returns to Pirate's, but first Bibi cannot do so, and second she finds it pointless.
What pleases Bibi is that everyone knows Bibi — one has only to say M. Emile and everyone knows at once who is meant. Bibi loves all kinds of popularity, and she is delighted that Bibi is popular.
She would like to go up to her room, but Bibi-Bihovetz comes, and Bibi-Coco, and they dine, and she stays the whole evening, and there is a great deal of laughter — it is Bibi who speaks the greater part of the time. She does not know whether they laughed out of politeness or because Bibi was genuinely amusing.
She ends by calling everyone Bibi, and the idea comes to her of going to Paris on Saturday. And Bibi will go to Paris — for Bibi's aunt can refuse her nothing. And above all, in confidence: the aunt and the maman think me very much affected by the infamy of Bibi-Girofla, and would willingly take me away from here; far from opposing my trip to Rome, they desire it. Whatever the cause, the result suits me.
And finally Coco teaches Bibi to play baccarat (how does one spell it?) just as at the club, and within two minutes Bibi knows how to play, and she imagines herself Girofla at the club, and it enchants and makes her proud.
None of this is worthy of a serious woman.
I said that Bibi terffidues Girofla. In a while, if I reread this, I shall be furious and Bibi will be wrong. Bibi seeks everywhere for examples of women as she loves — she would like to know whether it is not beneath her station to terffiduer a being who spits on her.
Bibi finds that one may terffiduer under any circumstances — it is even very piquant, and that terffiduing in this way gives one a dashing character.
Bibi goes to bed enchanted with everything.

Notes

No. 77 is Gioia's house on the Promenade des Anglais. Marie's arson fantasies are emotionally vivid but obviously theatrical.
"The lion of Nice" (le lion de Nice) — Audiffret's informal title as the local ladies' man and social celebrity. His family owned a castle near Nice (la Tour), making him "le châtelain de la Tour."
A line from the operetta Girofle-Girofla (Lecocq, 1874) — Marie quotes it as an expression of emotional overwhelm.
A victoria is an elegant open four-wheeled carriage with a folding hood, named after Queen Victoria. A significant step up from the Bashkirtseffs' modest landau.
The "Bibi" system: Audiffret first used "Bibi" to refer to himself; Olga picked it up; Marie has now universalised it as a pronoun applying to everyone. The result is a literary technique unique in the diary — writing about herself, Audiffret, and all her friends interchangeably as "Bibi" allows emotional distance and comic effect simultaneously.
Marie's invented taxonomy of men: "Hamilton-type people" represent a supreme category (reserved for the Duke alone); "Girofla-type people" are charming but unreliable; "Saetone-type people" are dependable but unexciting. The system reveals how completely she classifies human beings through her romantic experiences.
Marie's invented vocabulary replacing the word "love" (aimer): "terffiduer" is derived from "Terffidua," an anagram of Audiffret; "enoteasser" from "Enoteas," an anagram of Saetone; "pépiner" from "Pépino," a nickname for a minor character. By inventing new verbs, Marie achieves emotional distance — she can discuss romantic feelings in code, without committing to the dangerous word "love."
"Hamiltonner" — Marie's private verb for the love she feels for the Duke of Hamilton, reserved exclusively for her own use. No one else is permitted to "hamilton."
Marie's parenthetical uncertainty about the spelling of "baccarat" (baccara) is characteristic. The Cercle de la Méditerranée was the Nice gentlemen's club where gambling took place.