Thursday, 20 November 1873

Georges has returned from Aix -- a complete triumph. I am told all at once that yesterday on the way back from Monaco they met the Comte de Toulouse-Lautrec, and he will come with his grandson, Seraphine's son, who has just inherited a fortune of fourteen million and the title of marquis. The blessed little thing -- a boy of twelve. Lautrec does indeed come, and a family scene. He marvels at how tall I am, etc., etc., etc. Then comes Termosiris, bringing us a Russian gentleman whose name I forget. Then comes M. Azarevitch, so that I remained in the salon the whole time. At last Dina and I go out and accompany the comte to the Hotel Paradis. Then we come back again to fetch the princess. To the promenade, but the music is over when we arrive; nevertheless there are people, a great many. For some time now no one looks at me; I conclude from this that I am no longer ridiculous as before.
We did not go with Plantus; I am indisposed.
How wretched Nice is! The two English people are walking. The lady has debuted her outfits with a cherry velvet, and he reminds one of the duke -- such a charming face. His wife is elegant but she has that English stamp; Englishwomen have an indefinable something old-fashioned about them even when they are dressed in the latest fashion.
I cannot see a tall woman without envy. I wish so much to be very tall! It is so fine to be very tall! Mme Clockman passed -- she is so tall, so well made; I look at her with envy, then I look at myself, and how wretched I am! Little! Ah!
I have a contempt for all women in general. Each one of them goes out, dresses, arranges every hair, pulls out the best she has to wear, interweaves flowers, adjusts ribbons, ties bows, and finally composes a face and goes out with the intention of piercing the heart of every passer-by. I am not speaking, of course, of women who are elegant by nature; there are a few I call well turned out -- Souvoroff, somewhat la Galve, the Duchesse de Mouchy, and a few others. But those here! Those wretched Spanish women who seem to spread themselves out entirely -- their hats, everything, everything. And as for the Americans, I do not speak of them. What contemptible creatures! It is time to go home, for Helene and Lise come at five; and indeed they come. Paul has also invited Arson -- he is, they say, a spiritualist, and to prove it to us he proposes to guess what each person is thinking. (After much deliberation, I put on the same brown dress I had been wearing for the Howards.) He invoked the spirits and wrote what the spirits said. I asked him to guess what I was thinking, and I thought of the duke. He writes: She is thinking of her loves. How stupid! How stupid to say such things. One is forced to believe truly in such nonsenses; I will not ask again and think of forbidden things. But I had to patch up this madness, and the moment I read it: "How very right! Is it possible! How extraordinary! The whole time I was thinking of horses." Truly I shall be obliged to believe in spiritualism, and I shall recount this in my innocence to everyone. The others also asked some questions, to which he answered rather well.

^["Contempt," "contemptible creatures," and "nonsenses" in English in the original.]
Dinner is served. Towards the end the comte arrives with the little marquis -- that blessed rat. Then Paul gives us fireworks, during which Lise, Helene, and I -- as those chilly creatures cannot go out on the balcony -- watch from my room beside a closed window. The fireworks were charming. Paul and Arson directed them. I told those two children to watch how Arson would pose, for I called through the window to Paul that we are there and everything must take place before us. Indeed at every Bengal light Arson posed, twirled his moustache, and struck all sorts of attitudes. He even burned his hand launching a Roman candle with grace. It is very disagreeable that the Howards should be so pretty -- or rather that I should be so ugly. At nine o'clock they leave, and I, after remaining five minutes in the salon, go to bed thinking of him more than ever.
I believe (oh extreme misfortune, the height of disgrace!) that Maman has really bought this villa! Why, my God, am I so unhappy and disappointed on every side! Nice is still bearable, but on the Promenade des Anglais; elsewhere it is death. This year is a terrible year. How many swallowed tears this Buffa and Baquis have cost me. Since we came here I feel disgraced, as in exile. My God, do not let it be true! Can we not go on living as at present? But this is dreadful! Shall we never, never live as I would wish? In Nice it is impossible, and Nice is a worthless place.

^[In English in the original.]
No, my God, deliver me from this new disgrace. Do not send me this further punishment. I weep at the very idea. Have pity on me.
But I weep at the idea that we may continue our way of life!!!!..
[In the margin: Herewith my first and my last verses.]
[Twelve lines crossed out but decipherable:
Your hair -- I breathe it in, Your kisses -- I drink them, Your beautiful eyes that I desire -- See! You were made for me. The blue skies without clouds, The zephyrs in the meadows, The river by the bank, Calm, limpid, and clear, And green, and soft, and cool -- are nothing! Are nothing beside your face.]
[Annotation: April 1875. Yes, our way of life -- always the same thing since the first moment in Nice.
My God, I say as I did then -- my God, wilt Thou not have pity on me and let me live as I love??]