Thursday, 25 September 1873

My Latin professor is delighted with my progress. I finished at four o'clock and we go out (unbleached dress, Dina looking well). It is cool and even cold towards six. The band has not yet been set up in the public gardens, but society is arriving little by little. We are all downstairs when Mme Daniloff's maid comes and asks for M. Walitsky. Maman asks who is ill.
"It is M. Khalkionoff who is ill, bedridden," she says.
At this, Dina blushes at full lung capacity and begins arranging her hair to disguise it -- but alas! I saw, and my aunt shoots her two or three glances full of anger, indignation, and astonishment. Can it really be that this little peasant has managed to please her?... But it is impossible -- such an oaf! In any case, it is the first time I have seen her blush. I shall never believe that she... and such an oaf! And who knows? She is stupid and... stupid.
Maman goes out with us; Dina stays at home. It is for that she is inspired! But what an oaf! We looked at wallpapers for the dining room and carpets. It really must be done up. I do not understand how I could have allowed us to lodge in such a hole! I must do my utmost to make it as respectable as possible. My croquet-lawn is ready, but I have no desire to play. Palajka wants to leave; the maid Marie has corrupted her -- she thinks she will be a dressmaker and dreams of becoming a celebrity! Poor fool, how I pity her! She will work by the day for two francs, and not even the whole year round. Poor creature!
On the promenade, Bete says to me:
"There -- someone is coming. Marie, look."
I knew who it was. Indeed, Gioia passes us, but I saw only her profile and her back, as she was going down the promenade and we were coming up (dark Scottish hat, little ribbons).
"How pretty she is," I say.
"Yes," says Maman, "pretty, charming -- one cannot say pretty, but beautiful, beautiful."
She said it in a tone that said: I should think so -- beautiful; there is a truly beautiful woman.
I did not think Maman would say that; my heart nearly leapt out. Maman continued:
"But why does she look so wretched? Where is her chic? Ah! She has really come down."
It is about time -- she is thirty-five and older, it seems to me! I thought that. Then Maman again:
"Yes, she has been reduced to an Audiffret; he comes to her house every day."
"That is still something -- she will take his whole fortune, and that is something."
Maman says Mlle Durand will not want Audiffret.
"And why not?"
"Because her mother will not allow it; she has a mother, and her mother will forbid it."
"Why?"
"Because Audiffret goes to Gioia's. Why marry, then -- for tears and to be unhappy? For such a man will return to his former mistress; at home he will find everything wrong, everything ugly; he will strip his wife of her jewels, her dresses, down to her last dressing gown, and he will give everything he has to the other, where he will spend his time."
"But if he marries, he no longer loves the other."
"Oh! Oh! He will start again, even if he forgets her for a time."
All of this is a morality lesson for me.
Truly, all these people think that one marries in order to tyrannize each other. I stated in a few words my reasoning -- see journal of March, No. 3, 1873.
It is late; I go to bed too late because of this stupid journal.

Notes

In English in the original.
In English in the original.