Friday, 15 June 1877

Printed letters to Audiffret, printed letters to Alexandre. Alexandre knows M. d'Aspremont; Alexandre knows Audiffret; Alexandre knows Chablikine; Alexandre is with Torlonia — within twenty-four hours Alexandre will be at home in Nice as if it were Naples. Alexandre is at Nice, and yesterday he was at Monaco. Fortunately he was not introduced to my aunt, but Maman was utterly nervous. In the end he was tender and teasing with her, as always, and she came away with a purse of one franc fifty.
Torlonia was drunk, and so instead of saying good day, he seized Alexandre by the shoulders and presented him, saying: "Madame, here he is." You can imagine Maman's confusion — she had been expecting nothing of the sort, and had just been about to express surprise at seeing Torlonia again.
I did not want to believe it when Dina came to tell me, but in the end one had to. Maman dreads, as I do, a heap of embarrassments.
I would rather never see him again than see him here. Torlonia seems to be pursuing me. I feel no joy at the thought of seeing Alexandre — only fear. But I calm myself by repeating that things rarely come about either as one fears or as one hopes.
I believe the two nightmares will come to dinner — Maman half-says so, for fear of putting them off.
I keep saying aloud that I am very vexed, which is true. I have said so many foolish things about Alexandre to all and sundry that now I am annoyed he is here. In any case, people will talk. Just think — Nice, in summer. What a strange fancy to come to Nice, and in the company of Torlonia, my inexplicable enemy! Was it not Torlonia who went and said all manner of things to that wretched Antonelli?
I had fully expected that this devil of an Alexandre would never come here, and I am very angry at having said so much — now everyone will be certain I adore him.
Seeing him on such friendly terms with Madame my mother, everyone has been asking who he is — Mmes Yakovleff, Bouldakoff, de Camprien, and the rest.
I have thought so much about what I shall say to him that I have only an embarrassment of choices. As in Florence, I have but one desire: to appear pretty, elegant, and charming. I do not even want him to love me — that is not what this is about.
Rosalie has already had time to encounter him and to escort him back to Audiffret's, since he did not know the way.
As I did not wish to appear to be preparing for his visit, I said I would go to the baths with Mme Kondareff. In this way I should be dressed, just in case. I spent an hour washing as if my daily bath were not enough — for no dress can be truly elegant unless one has first bathed. One feels clean, I cannot explain it otherwise. Then I spent another hour admiring myself in the nude; never have I seen such white skin, even on myself.
At that very moment we received a telegram from Alexandre, excusing himself from coming on the pretext of having missed the train.
The general came to take his leave; we do not go out until six o'clock. There are few people about. Mme Kondareff suggests we leave, and I agree. Going out I encounter Audiffret; I do not know what came over me, but I abruptly turned and went away by the left bridge while he came in by the right. Only then did I remember that I was charmingly dressed and had a figure like the day I showed myself to my... family. It is hard to write.
I was so impatient, and so — I do not know how to put it — at dinner, that there was no question of eating. I do not know what would have become of me had not the sudden desire to see Larderei suggested the plan you are about to hear. It came as a kind of tender impulse — a desire simply to see him, without even speaking to him. But a rehearsal was needed before the execution. I went upstairs, and half an hour later there appeared in the garden a tall, rather imposing, elegant woman, with black hair, black eyebrows, black eyes, diamond earrings, and a diamond brooch fastening lace around her throat. Naturally, it was I. My aunt, Maman, and Walitsky went to Bihovetz's; they had been there about five minutes when Dina arrived breathless, saying that the Princess Zeretel had arrived asking for Mme Kondareff, her cousin; that Papa was in the garden in his underpants; that the dogs were barking; that she did not know what to do; and that she had brought the Princess, hoping to find Mme Kondareff there. There was much ceremony about who should go; at last the general comes out, I am presented to him, I reply in a voice I had rehearsed in the carriage with Dina, and I enter. I say everything necessary to explain my search for Mme Kondareff, my arrival.
The general bows and multiplies his attentions. In short it lasted a good half-hour. I was convinced that Bihovetz was laughing at me, but having made a certain vow, I left without revealing myself.
I returned after perhaps an hour, and having listened at the door to Bihovetz recalling how he had met me at the Rostowzeffs' in Petersburg — he thought me beautiful, I had something of the devil about me, a handsome brunette, elegant but too restless — while Bihovetz, for his part, found that Mme Kondareff had not looked altogether pleased, which was hardly gracious. At that moment I opened the door and advanced toward him, singing at the top of my lungs and gradually pulling off my black hair and hat. At first he stood irresolute for a few seconds, and then — if you have seen The Barber of Seville, you will remember how Bartolo is petrified at the sight of Count Almaviva. Imagine the same scene in stark reality, as real as anything could be, to the point where I had to take him by the arm to draw him out of his trance, all the while singing the "Guarda Don Bartolo..." and so on.
He said he had suspected nothing, had been a thousand miles from guessing. And why should he have suspected? It was all so natural.
It is certainly the most successful and most astonishing prank.
I was not made up; I was neither old, nor hunchbacked, nor bespectacled. I was pretty, but the black eyebrows, the black hair, the black tulle veil, the dress transformed me. Moreover I had a little black under my eyes, which made them superb. Lise kept exclaiming that I was the image of the Souvoroff.
Well, since Bihovetz did not recognize me — we may proceed. I am so glad that the entire royal household of the Daniloff is leaving tomorrow; so many fewer to contend with for Alexandre. In any case I leave on Sunday — I could not bear to blush before my own maid.
Wishing to know what they say of me in the lodge, I waited until my aunt and Walitsky were with Maman for the evening council, and then, removing my slippers, I came and sat in the anteroom that precedes the bedroom, and listened.
— Good God, how limp they are without me!
— She blames it all on our position, my aunt began.
— No, replied Maman, she knows very well it is not that.
— She is in love with him.
— And he does not love her at all.
Nothing of interest. Walitsky stated simply that Larderei's connections are worthless; that the King is after all only the King; and that Larderei interests me only because he is the Comte de Larderei, kinsman to the King. And finally that I care only for titles and honours, and that after all, titles and honours are only titles and honours. After these remarkable observations they turned to picking Alexandre apart, and Walitsky repeated that the Salviati, after all, are only the Salviati.
Then I emerged from my hiding place and, laughing, acquainted them with the various replies their conversation had called for. Maman was already quite ill from the emotion of it, and it all ended with the resolution that I should depart on Sunday.
In truth I play a curious role. They tell me to my face that I love Larderei and that he does not love me in the least. They accuse him of being almost a thief, and I defend him. Maman, who knows everything, winces every time he is mentioned, while I do not. Why should that be? One does not know. Perhaps because one feels this affront... I say nothing of it.
All this — well. The wound is too deep ever to be forgotten, and now each time I try to think, to dream of this man, this icy memory melts all my enchanted castles and reminds me that nothing, nothing in the world can erase this affront. Do I cry out? Do I rage? Do I exhaust myself as before, explaining useless furies? No — you see I do not. That is because it is a serious matter, and slowly, quietly, but never wholly abandoning it, I shall pursue this idea — or rather, this idea will pursue me. What hideous, terrible, bloody stains are the landing scene in Rome and the conversation at Naples. And I am barely eighteen years old. The one in Rome was like a burn that made one scream and howl and go mad — yet one despises it, as coming from a man who did not understand. The one at Naples is a boulder of ice that freezes you, holds you fast, calms you. And of that last one I make no complaint.
For what came before I wept — from despair, from shame, from horror, all undeserved. Tell me, my God — what had I done to be received so vilely at the threshold of life?
At Naples I did everything myself, and I repeat that I make no complaint of anything — and at the same time I see that nothing can soften what Alexandre said to me. Nothing in the world, do you hear?
And so — he will be mine; I shall rise again; I shall show that when one truly wants something, one obtains it. But what is terrible is that his warning, or his refusal — call it what you will — forbids me this very course of action. I do not know what I shall do, and I no longer wish to dissolve into ink. But know that I am calm, and that therefore it will take a long time. Not love — but the memory of the affront. For the first time in this journal, the word is properly used.
God is great, God is good, God will do as He sees fit — for I find no exit, none at all! Only I tell you that I shall not remain with this frozen burden on my shoulders; God will take it from me. God, however, does not countenance what I dream of, especially since Alexandre has not offended me in the sense of an offence that heaven may punish.
I should like to tell you every day — lest you think I forget — that I am tranquil because this is no flash in the pan but a thing one always remembers with a cold (I find no word that better expresses what I feel) — a cold most disagreeable — until one has had one's satisfaction.
Besides, I am perfectly at ease.
How can he escape me? By death. So much the better. Can he always despise me? To that I reply that it is not only love that calms one's rancour — the word is altogether too petty.
[In the margin: It is not vengeance I want — I want to triumph, and that is permitted; God has nothing against it. So I implore Him, surrendering to His will; He is just, and I may be calm: I, who have been only humiliated, shall one day be rewarded. This is in Nature and in the Gospel.]
In the end, he can only escape me if I stop thinking about the whole affair.
I can easily stop thinking of the man, but his words will always be with me, and it is with those words alone that I have my business. Therefore I may fall in love a hundred and fifty times with a hundred and fifty others — it will erase nothing and change nothing. I find myself quite reassured as to the outcome.
[Crossed out: Saturday, 16 January 1877]
What is hateful, and what seems to have strayed into this neighbourhood, is the vileness of Sorrento. What he said to me in the garden first — and several small things afterward that had made me so ashamed and confused!
But I have something that moderates my bursts of indignation: three simple words — he was drunk. Without those three words it would be inexplicable, or else it would be enough to split my skull with despair. Do you know what he said to me in the garden of the Hôtel de la Sirène?
— Will you, he said, will you that we love each other (here come those few words I unfortunately did not retain, which I heard imperfectly, but whose meaning is clear) — love each other, and then kill ourselves at the end of two hours?
— Kill ourselves, said I, concealing from myself that I had understood — kill ourselves, and to what end?
O my God, do not take from me the conviction that he was drunk.
My God, never either at Nice or in Rome did anyone say a word that could wound the modesty of a child. It is true that at Naples he —

Notes

In Italian in the original — from Rossini's The Barber of Seville.