— I really don't know at all.

— I really don't know at all.
— A ou aou i o on.
— If it is less than five hundred thousand francs, I shall not pay.
Well but — and Larderei — is he not coming back?
How happy I am at what has happened to Clemente Torlonia! The Princess Mechtchersky, whom he pursued so ardently, is marrying Fabrizio Spinosa of the princes Ruffo. This is his second fiasco; the first was his cousin, daughter of Prince Alessandro Torlonia.
Serves him right. Wicked people deserve nothing else. And to think I imagined something for that venomous creature — small, blond, fat, drunk! Besides, they all disgust me at the moment, except Doria who has never ceased to be congenial to me, and... naturally Larderei — or, to speak like Rosalie, "Ladreréel, brother-in-law of Mirafiol."
It is one o'clock... the wind whistles sinister airs such as I have only heard in Russia in my childhood, in autumn. But I am radiant in comparison with yesterday.
I sit down at the piano at half past two after Altamura's visit. I take a spinning-wheel piece by Litolff, and tell myself to play it fifty times — a trifle of twelve pages with a most fatiguing right hand. If you play it, you shall have Larderei — but without interruptions.
I did not rise until half past seven, deaf until that moment to the questions put to me and to: "Dinner is served." I dined alone and my hands still ache — but I shall have Larderei! I do thirty-six things for similar superstitions.
Doenhoff sent his card saying he is indisposed; and Maman read the cards for me and predicted the arrival of Larderei.
Ah! without that I am bursting with sadness! I adore Italy and am so wretched in it!
Indescribable confusion in my head... I should like to stay here until the races, then go to Sorrento, and also to Trouville and Aix and to the sea bathing in England — time is lacking, life is so short! My throat fills me with despair.
They send me from Nice Rossi's card with condolences... so now I receive compliments on my death!

Friday, 23 February 1877

Great agitation for an unknown reason; several visits from Doenhoff, with whom we go in the evening to see races and games at the Skating Rink. That absurd white statue, that hat resembling Mont Blanc, exposing itself majestically! Well — this self-detested creature has found a passionate admirer. He is an Englishman I cannot bear to look at, while he dines opposite us and does everything in the world to merit a word — in vain!
This evening I dined at the table d'hôte and this man told his neighbour and friend that it is a fête for him, that yesterday and the day before he was sad — and a heap of things to which I pay no attention.
Only at that moment I imagined what faces all those eaters would make if I pulled the tablecloth. Dina began to laugh, having doubtless imagined the same picture; the Englishman invited us in; my neighbour began to drink but, having raised his eyes to us, burst out laughing into his glass — then this amiable gaiety spread to all the others, who without knowing why began to laugh, and at the end of five minutes there was no one left at the table, everyone having gone out in fits of laughter — young, old, invalids, stiff upright Englishmen — everyone!
[I spoke in Russian to Dina.]
Merisano came opposite the balcony but, having seen only Rosalie, stayed only a few minutes; he had already once whistled at her in the corridor — we had just gone out and that monkey was at Larderei's. But the girl simply said with her Parisian street accent: En v'là un genre!
Since I have been mad about Larderei I do nothing but chat with Rosalie — she tells me comical things and I repeat to her a hundred times: Larderei. I had thought of telegraphing in Altamura's or Merisano's name, but that would be found out too easily; then I had the idea — seriously — of sending Rosalie to Florence for a day; and this is finally what I settled upon.
Firenze, conte Alessandro Larderei
6.000 lire a suo comodo, condizioni sue quando Napoli
risposta agata subito a d'Uffizio Rosati.
Poor fellow, when he learns it was a joke.
Six thousand francs — he will be pleased to receive this offer.
Listen — I truly do not know what is wrong with me; I do not know whether it is these masked balls that have soiled me, or what other thing — but I hold myself in horror!
Can my brain truly be disordered? It seems to me that everywhere I am taken for a woman of bad character, that people are outraged by my presence, that they wish to insult me.
Before, when I entered somewhere I blossomed under the public gaze; now I wilt like those flowers beaten down by the nocturnal frost of which Dante speaks; I want to hide.
The least glance is literally like a blow from a club...
Something must be done against this — I do not know what — but this state is insupportable; I suffer so, I hate myself, I am ashamed of myself, I am afraid someone will slap me in the street.
It is doubtless the consequence of all my happiness in this world.
I am losing my memory; I fear the simplest things, and I throw myself into extravagances as if it were perfectly natural.
That Englishman almost moves me to tenderness — this evening in the crowd at the Skating Rink he gave up his place for us, with humble airs and eyes full of respectful admiration — I cannot bear him.
Let us attend to my brain — soon you shall have the pleasure of reading the lucubrations of a perfectly sound brain, as Audiffret would say — but let us pass on.
Have I said that Foster writes to me? No? Well, I say so now, and I have written to him also. Why not maintain agreeable relations with proper people.
Oh! but everything I do seems to me improper, extravagant, atrocious, frightful!
Am I going mad. No — but after the article in the Figaro it is the least one can expect to have one's ideas overturned. Am I attacked enough, soiled enough?
Before I have even begun to live!
Restore my mind, O God — or else let me die.
[I should like to know how other people manage. I am becoming savage — I no longer know how to conduct myself!
Ah! if I could see other people, I should see how it is done and recover — perhaps I am not even doing anything wrong. But I no longer know anything!!]

Notes

Altamura's dialect gibberish, reproduced phonetically by Marie.
Henry Litolff (1818–1891) — Franco-British pianist and composer; his fileuse (spinning-wheel étude) was a parlour-favourite of virtuosic difficulty, requiring relentless right-hand figuration.
In English in the original.
En v'là un genre! — Parisian working-class slang: "Now there's a type for you!" — dismissive contempt.
Marie's draft Italian telegram: "Florence, Count Alessandro Larderei — 6,000 lire at his convenience, his conditions when [he comes to] Naples."
"Reply expected immediately at the Rosati Office." The telegram was never sent.
Dante, Inferno II.127–129: the simile of flowers drooping in night frost and reviving in morning sun — here Marie reverses it, wilting rather than blooming.
Marie refers to a Figaro article that apparently reported on her family or her own social missteps in a damaging way; the specifics are unclear.