# Thursday, 8 December 1876

Thursday, 8 December 1876

The small domestic miseries discourage me.
I plunge deeper into serious reading and see with despair how little I know! It seems to me I shall never know all of it. I envy the scholars — yellow, gaunt, and ugly.
I have the fever of study, and no one to guide me.

Friday, 9 December 1876

I went to fetch Olga and, to make her pose properly, had to improvise fairy tales of a remarkable absurdity.
The General — my co-godparent — found us on my terrace where I was making a picture with Victor.
That evening they took me to the theatre to see Giroflé-Girofla, that historical piece. Only Mme Anitchkoff, who had gone ahead with Maman, brought all her children and was with great difficulty dissuaded from the project of also bringing the cook's. Instead of a box, it was a menagerie. Nevertheless I contained myself.
With Giroflé-Girofla a few words were said about Audiffret and by extension about Antonelli. You cannot imagine how reassured I am and how calm, having at last understood everything. And you shall see.
I always said no to him. That was right. Good.
Let us continue.
Everything was going admirably — and then I invented the corridor and the secret staircase! Anyone in his place would have taken advantage. It was for me not to lower myself to the vulgar flirtations that allowed him to suppose everything and dare a great deal. Having committed such grave errors I set about blaming everyone and everything.
Here is the truth.
Amen.
This does not prevent me from being furious at myself — and since he is the cause of that fury, furious at him too.
Amen.

Saturday, 10 December 1876

Mme Bonnin, daughter of Tamburini, sent us the cards for the requiem mass for [words cancelled] her father, and I went in full mourning dress. Churches and funeral chants are true festivities for me.
One had indeed to pass along the Promenade and be seen! We also stopped at the Opera to speak Italian with Cresci before the whole troupe.
On returning I found a bouquet and my father's card. He has dared to come to Nice — and here is his challenge! That was our first outcry, all of us.
The abominable Broussais came to recount how many generals he has promoted to their rank; yesterday he was telling stories about events that happened to him and his friend the Emperor of Russia.
We went to the Skating-rink of the Cercle de la Méditerranée, where Maman, Mme Anitchkoff, Bihovetz, Wolf (Deputy Minister of War), Pelikan, and Broussais were already waiting.
I had never seen skating, and all those people turning, gliding, falling seemed to me exceedingly graceful.
All elegant Nice is to be seen there; we were in the group of the Cawpers (Lady Cawper from Rome), the Sabatiers, and Polish magnates.
Mme Souvoroff had just left after speaking to Maman.
There was a moment when I wanted to flee, but I stayed, sustained by my own people and by Pelikan, who brought us his friend Mme Zourmiline. Mme Anitchkoff heard how several people asked: Who is she? — and how they were answered: Mademoiselle Bashkirtseff. One is known — oh! every dog knows one — and yet!
The first words of Mme Zourmiline were:
— I have heard so much about you.
The left semicircle was infested with the Howards and their kind. My mothers watched Audiffret conversing with those Howards, without excessive pleasure.
La Pointue, pale and faded, conceals not at all her predilection for le Surprenant. She has touched me; I am full of maternal sentiments; I would wish to unite them.
Count Markoff came to greet us, and later Audiffret — "without ruses and without detours" — approached us across the full width of the rink, greeted me with the title of traveller, spoke to me of my little feet which would be so well in skates, and made one or two pleasantries about the skaters. I was of a politeness mixed with insolence — entirely in good taste; such as I shall be henceforth with everyone. Only him I treat with particular condescension, even more than the others. Markoff came a second time; I turned to him and Girofla went back to his place — perhaps not too flattered, as my reception contrasted with the joyful barking of the other young ladies.
He is more than ever the cock of the walk, though his finances are in a very touching state.
But at this moment all my attention is absorbed by the two Gautier sisters. Ravishingly beautiful — women for Mahomet's paradise. Velvet eyes, noses slightly aquiline and rounded, rosy cheeks, red lips, black hair. I admired them as one admires beautiful objects, and was preparing to tell them of my admiration when Dr. Thaon greeted Maman.
He is married to the eldest of these ladies, and I made the acquaintance of both and had the satisfaction of telling them my opinion, paying great compliments in the form of insolence. Everything succeeded today and I felt that I was speaking delightfully, as well with these beauties as with the others.
I am left at home and they return within an hour with lily of the valley that Mme Souvoroff sends me. She was encountered at Mortier's. It appears she is aware — as is everyone — of the cabal formed against us by Mme Tutcheff and is Maman's zealous champion.
— She is an abominable woman, she said. Why do you not order your husband to silence her?
— Because my husband is a nonentity.
— But so is mine! And I do not live with him; yet if his sister set herself against me as this woman does against you, I would order him to, and he would give her a sound slap.
— But you ought to bring an action for defamation! People envy you and she gives food to gossip. I too am persecuted; they even said that the life I lead... would prevent my daughter from making a good match. Wait, I said — and I married her like a Grand Duchess.
That made Maman bloom. The Princess claims to feel an irresistible sympathy for us.
The other day a Russian gentleman repeated horrors in her salon.
— I was almost in tears, she said, when I saw you attacked so ignobly; and I asked him where he had gotten those things. From Mme Tutcheff, he replied. I begged him to be silent, adding that I had known you for ten years.
— But I know them too, cried the Consul; they have had a lawsuit for four years, and no one dares do anything against them — for it is all infamous slander.
Tu quoque? Since when have you taken our defence, my friend?
Maman has just returned from Monaco. She found there her husband, his mistress together with Mme Tutcheff, Constantin Eristoff, and the Princess's Neapolitan. Well — she made a scene, which I moreover approve of.
She told that atrocious woman exactly what she thought of her — that is all. Indeed, is it not revolting to see this creature enthroned in respectable salons and ruining other people — she herself going with her lover to protect her brother's liaison with an actress? She did still better — she put them up at her own house. Oh morality, oh justice, oh public opinion!
My dear Aunt Sophie hid herself in the facilities, which I regret, for she has not received a hundredth of what she deserves.
The scene took place at the station, and Maman went into the hall to tell all her acquaintances that she had given Mme Tutcheff a slap. This is only boasting — but she did slap her with crushing words.
My father — moved, trembling, pale — rushed to my aunt, imploring her to calm his wife, and my aunt replied without raising her voice that this jealousy ought to flatter him, and that if he is, as he says, an honest man, he must silence the Tutcheff rabble and surround his daughter with everything. He kept replying yes, made himself miserable, complained, moaned, spoke of his love for me. Maman treated him all the while as... I cannot repeat all the names she gave him. He was grovelling and cowardly, and begged:
— Beg Marie to allow me to come to Nice, for she has forbidden it to me.
Do you see this Agnus Dei?
— Warn her, said Maman to my father, that the moment my child is concerned I become a tigress. I would gnaw off her nose.
— I will do everything for her — only not in Nice.
In Paris he said he would only go to Nice.
Oh, scoundrel! Oh, coward!!!
At least people will now know what this respectable woman gets up to in Monaco. Maman cried it loudly enough. It should have been cried from the first day of her arrival, four years ago.

Sunday, 11 December 1876

I went to church. It is so beautiful that I took a walk after having tried to skate while there was still no one about. Coming out we saw Princess Souvoroff walking towards us with d'Aspremont.
Further on, Audiffret, Belle-de-jour, etc., to whose greetings I reply by turning away.
[Two lines cancelled.]
Later when we were again at the Skating, this celebrated hero was performing wonders there with his aides-de-camp.
Maman spoke with Lady Cawper's husband, whom she had met in Rome; my aunt and Dina were surrounded by General Bihovetz; and I promenaded among them with little Olga, both of us eating galettes and showing myself to Princess Kotchoubey, sister-in-law of the Prince I saw in Russia. Her husband recognised and greeted Maman this morning at church — he knew her when she was as tall as I am.
Meanwhile Girofla glided over to my aunt.
I approached and paid him compliments on his skating, with a tolerably disdainful air. Then I turned away without waiting for the end of his thanks.
You understand — he is an ill-mannered rogue; therefore I am protective and disdainful.
As for Belle-de-jour, I do not even look at him.
It is time, it seems to me, to become independent and to stop smiling at people who despise you.
We saw Pelikan, the Anitchkoffs, all those one always sees. And that evening I went to the Opera. Hair flat in front, falling behind in barely rolled coils on the nape, gathered up into a cluster of curls in front again. This dishevelled, flat, voluminous coiffure is an innovation and gives me an innocent air — matched to a sort of Russian costume, a fine linen blouse beneath a foulard dress... the same as at the Paris Opera. Pearls at the neck, no gloves. I did not look like myself; I was a true picture. I do not praise my own face — I leave that to others — but I do justice to the general effect, as regards distinction.
La Vigier is opposite with Lady Cawper, who tells her a quantity of things while eyeing me through her lorgnette. Girofla does not appear until the third act and eyes me likewise, as do his acolytes. I was remarkable enough to deserve the honour. No one dresses with as much originality, simplicity, and good taste as I — above all good taste.
Mme Anitchkoff leaves well before the end; I pretend to go out and hide behind the closed door to see what le Surprenant will do — [words blotted out: he only approaches my people when I am not there].
Well — he simply left. I attribute nothing to myself.
Un ballo in maschera made me dream of Rome's masked balls... I cannot bear to look at Lady Cawper because in ten days she goes to Rome — the happy woman!
Fiouloulou came; I spoke to him in riddles and he left bewildered.
But something rather curious is happening to me. I have begun to admire Gautier through constant looking at his sisters. They were beside us this evening, and while I was speaking with the young lady I saw their brother enter — but not the one I know, another, the elder — Michel? Shorter and less handsome than Albert, but dissolute beyond anyone! This debauched air charms me while displeasing me. This evening he was superb. A matte complexion, those eyes — the family eyes — clean pretty hair... and altogether charming in bearing. He brought back to my mind Larderei and Antonelli... it is all the same series. He passes his life with the cocottes, which gives him that dissolute and interesting air that disgusts and charms me... or rather irritates me and gives me wild ideas.
Since I need to speak of someone, I speak of Michel Gautier — and people laugh at me.
Well, I ought now to sleep instead of petrifying myself before that wretched Livy.
I detest myself and I detest my writing this evening.

Monday, 11 December 1876

I grow more passionate for painting every day. I did not stir all day. I played music and it went to my head and heart; it took two hours of conversation about Russian history with Grandfather to bring me back to myself.
I hate being... sensitive... in a young girl it borders on... a great many things... trivial.
Grandfather is a living encyclopaedia.
I cannot think without astonishment mixed with anger of my stupidity with Antonelli. I said what I should not, and vice versa. I had the air of being afraid, of trying to... in a word, it was absurd! You have read it yourselves.
Cassagnac could make himself adored for his interruptions in the Chamber.
The atrocious and sometimes amusing Broussais brought me a bouquet with these words:
— Quasimodo to Esmeralda. These flowers are candid and may be offered to a pure dove such as you. A gaudy bouquet would be unworthy of you.
When this man begins to joke he is of an irresistible comic quality, but unfortunately his jokes always end in some impropriety — especially at dessert, for this ogre drinks everywhere he goes and goes everywhere he drinks.
Berthe wrote to me and I replied declining the invitation for the 12th — on account of Olga's portrait, which I wish to finish.
My dress at the evening before last at the Opera has been described in the papers. — "Mlle Bashkirtseff is admired in a gown of matte wool, reminiscent of the antique Roman costume. A circle of dull gold in the hair. Dress of great simplicity." — It is the first time the Nice papers have understood my dresses.
Do you love Livy as I do? I find him as interesting as Alexandre Dumas. Do not laugh at the comparison... you pedants and confounded ignoramuses.
— If you were to spend your winter in Rome, said Blanc at Mouzay's, I should feel for you a sentiment close to contempt.
— I should not feel that, said Cassagnac, but I should pity you sincerely.
Well — I am not going, and it is not on account of your words. My ailing throat, Wartel, and the harp lessons — those are what drive me to Paris.
But what will you do for me — you amiable people who have so good an opinion of me?!
I know someone who loves me, who understands me, who pities me, who devotes his whole life to making me happier; someone who will do everything for me and will succeed; someone who will never betray me again, though he did betray me before. And that someone is Myself!
Let us expect nothing from men — from them we shall have only disappointments and sorrows.
But let us believe firmly in God and in our own strength.
And upon my word — since we are ambitious, let us justify our pretensions by something.
[Aide-mémoire: Episode in the drawing room of the old Gavronzi house — two beds — Woldemar — Nathalie — etc.]

Notes

Giroflé-Girofla — comic operetta by Charles Lecocq (1874), one of the great successes of the 1870s Paris stage. Marie's description of it as a "pièce historique" is either ironic or a slip.
Cresci — likely a member of the opera company performing at the Nice Opera that season.
Roller skating rinks (skating-rinks) were a fashionable novelty of the 1870s; Marie uses the English word.
La Pointue ("the pointed one") and le Surprenant ("the surprising one") — Marie's coded nicknames; the latter refers to Audiffret.
Girofla — Marie's nickname for Audiffret here, borrowed from the operetta seen the previous evening.
Tu quoque? — Latin: "You too?" The phrase here conveys ironic surprise.
Agnus Dei — Lamb of God; the liturgical Latin phrase used here sarcastically by Marie to mock her father's grovelling.
Cocottes — courtesans, kept women of the demi-monde.
Quasimodo and Esmeralda — characters from Victor Hugo's Notre-Dame de Paris (1831); the hunchbacked bellringer who loves in vain the beautiful Gypsy dancer.
Livy — Titus Livius (59 BC–AD 17), Roman historian, author of the Ab Urbe Condita chronicle of Rome from its founding.