Sunday, 21 May 1876 – Monday, 22 May 1876

From Sunday 21 May 1876 to Sunday 28 May 1876. One day in Genoa, Hôtel de Londres, then Nice.
Amans ita ut fax, agitando ardescit magis
Publius Syrus
Sunday morning — or rather at noon — I woke up, and at once began thinking of the day before yesterday and of Antonelli.
Around two o'clock we went to call on Mme di Clavesana, who still has a bad foot but was as pleasant as she had been in the railway carriage. Her husband and daughter were out.
Oh! I was dreadfully bored from three to seven o'clock. I missed my journal terribly. A crowd of thoughts that I can no longer recover were pressing in on me. I was happy; I doubted; I feared; I hesitated.
Until now I had not thought that our false position need trouble me beyond a passing annoyance. But then it must needs be a man so dependent and so unhappy! Is it not true that I find happiness in nothing!
I was wrong to listen to Antonelli — and, above all, to accept him!
"You would not value it yourself," I said to him, "you would be happier if I had kept you waiting three months for a kiss!"
I know perfectly well that it is true, but I could only keep an indifferent man waiting. I am too impatient.
Just think! It would be nothing at all were it not for those two brothers who are so hostile to him behind a mask of friendship! What will they not seek out to disrupt his plans and…
Oh! Good God! Must everything go wrong for me!
For four hours I gnawed my nails, pacing the room, now smiling, now on the verge of tears.
At seven o'clock we sat down to dinner with everyone else, facing a dark-haired lady in mourning with a distinguished air. At that very moment M. di Clavesana arrived with a great flourish of civilities, sat down, and began by introducing the distinguished lady — the Marquise [Gentilo]. She is a woman who, after her husband's death, dismissed all her servants and, abandoning her magnificent palace to tenants, took to living in a hotel. It was Clavesana who told us all this later.
He proposes a drive through the city and then a visit to the Politeama, a charming summer theatre built entirely of iron. We agreed. He tells us the name of each palazzo. I have never seen anything so grandiose or so splendid. The palaces of Rome are mere houses compared to these. As for other cities, I shall not even speak of them. I have never seen anything comparable to these doorways as tall as two-storey buildings, opening onto the most extraordinary atriumsfull of superb staircases, terraces, columns, hanging gardens, all of it silhouetted against the sky like something superhuman, fantastic. And all in marble. The vestibules alone are worth entire palaces; as for the palaces themselves, their height and those terraces linking them to one another or to fairy-tale gardens cannot be imagined or compared to anything in the world. Poor Pietro!
At the theatre we had a wretched opera and a pretty ballet, after which Clavesana took us to see the finest café in Genoa, installed in the ground floor of a palazzo. It is not a café; it is a royal residence. At a neighbouring table sat a Prince Andrea Doria. In Genoa there are Dorias everywhere.
That prince was not worth a French cobbler. Is it not vexing to see such magnificence in such unworthy hands!
I came home wild with everything I had seen and declared to my aunt that I wanted a palazzo, and that I would only consent to marry Antonelli on condition that he build me one on the Piazza del Popolo, in the semicircle that corresponds to and faces the monumental terraces of the Pincio.
I could not calm myself until two in the morning, forever scheming as to how to obtain that palazzo in the spot I have just described.
Oh! Why did I have to see all that!
Maman replies by telegram that Dina has Roman fever and is very ill.
The next day — that is, today at two o'clock — I am in Nice, and very anxious to find no one at the station.
Victor and Prater met me at the gate. I was quite afraid to go in, so I waited in the garden for Maman, who came with Walitsky, Collignon, and Grand-papa to assure me there was no risk of contagion.
There in the garden everyone peppered me with questions to which I answered as best I could. Then we went to Dina, who, knowing of my fears, was very glad to see me; besides, she knows that I love her, understand her, and pity her.
Oh! Dear Uncle Georges, this is your doing! One does not find oneself deprived of a name without feeling it.
The poor girl had been fading for months already; the day I left for Rome she seemed quite ill, and on returning from the station she took to her bed never to rise again. These are the effects of so much grief and humiliation. Raised in the same ideas as I, by me, she wants the same things as I do, and has nothing! Not even beauty. On the contrary — nothing but sorrows. Not on our part; God forbid one should think anything so unworthy — but on the part of her infamous father!
She held out for a long time, but now it is pitiful to behold.
And must one be wicked! While pitying her, I was thinking that when she dies her room would serve me as a library! It is horrible — but it would be still more horrible to think it and not say so.
I know that no one gives credit for such candour — I could have kept silent — but people with feeling will not blame me, especially since I blame myself first and am the first to find myself abhorrent.
I chattered, laughed, and told stories, and the poor child seemed revived. Walitsky wanted to silence me.
"For heaven's sake," I said, "leave me in peace to rouse her a little! People die of nothing but boredom, and she is bored!"
She burst out laughing. We talked of nothing but Pietro*.
I am melancholy in Nice. Going there, I had but one thought: receiving a letter.
"Write to me," I said to him at the station. "If you delay two days I shall doubt everything — I shall be terribly anxious."
As he asked whether I was going straight to Nice, I told him I would stop in Genoa, and in that case I had promised to send him a telegram.
I had forgotten all that, and the Passionist rector prompted a telegram. He therefore believes I am still in Genoa, and so will not write until he receives a flower announcing my arrival in Nice. I shall send it tomorrow.

Notes

Latin: "A lover, like a torch, burns brighter when stirred." From Publius Syrus, Roman aphorist (1st century BC). Epigraph for the week's entries.
The Politeama Genovese: a fashionable open-air summer theatre in Genoa, built in the 1870s with an iron framework.
"Atriums abracadabrants" — Marie uses the recently coined neologism abracadabrant (astonishing, extraordinary), coined c.1850s.
The Pincio: the hill above the Piazza del Popolo in Rome, topped by the public gardens of the Villa Borghese and linked to the piazza by a grand curved ramp and terraces.
Roman fever: malaria, endemic to Rome and the Pontine marshes; a serious and often fatal illness throughout the 19th century.
Reference to a jokingly sent telegram Marie despatched from the station at Orbetello (see carnet 060, entry 20 May 1876), pretending to be the Passionist rector.