Sunday, 24 October 1875

We go to collect my Graces to go to church together; just before their house, the Surprising One overtakes us and raises his head with studied affectation before the Sapogenikoff windows.
But as I decided yesterday to concern myself with him no more, I do not blush and say nothing.
I am perfectly natural and tease Olga, who is flushed and in an elevated state. I hand her Bibi just as I might hand her anyone, and she is delighted.
I am not cross with myself — I said something foolish by way of a talisman, this talisman has had no success, and so be it: I refuse to fret over it. The main thing, the thing I fear most, is general contempt. In a pinch I shall be content with mere politeness, provided no one turns away — and then I am at peace.
Giroflé is radiant; we marry her to Girofla and each person composes a future scene of their married life. Much imagination is deployed and everyone laughs at everyone else's stories. It is a pastime — an amusement, I mean — very much in use among us.
Antonoff — you do not know what Antonoff is; he is a rather curious individual who tells his own story himself. He was a wretched clerk in some Petersburg shop when he realized it was stupid to moulder in such lowly depths. Having realized as much, he found himself a dowry that came with an excessively ugly wife and became a merchant on his own account. As a dry goods merchant he amassed a great fortune — six hundred thousand roubles, they say; then he abandoned his wife with a cash settlement, wound up his business, sold his firm, and came with an actress, a singer, to Nice — that complaisant receptacle of all things, of the rose petal as of the laurel leaf.
The actress, Mme Kronneberg, passed as his wife. Having a pretty voice, she sang at the Opera with success — success obtained above all on account of her position, a Russian lady, quasi-amateur, and so forth. Through the Opera, Bibi-Antonoff came to know the notables of Nice, viz: Saëtone, d'Audiffret father and son, etc.
One fine day Mme Kronneberg dumps him flat; Bibi-Antonoff makes the best of a bad situation, buys a plot of land on the Route de Villefranche and builds himself a house. He is very oddly dressed, with those diamond buttons. Short, dark, looking round, with fish eyes; aged forty-five but appearing at most thirty. Speaks only Russian, no education whatsoever. Wit? The practical kind, the speculative kind, the money kind — the wit of a parvenu.
Truly, he is not worth this description — but then he has called on Nina, and then on us, and is to give a party at his house in a week for the housewarming. We make fun of him, and each person has something witty to say at his expense. He has been a widower for two years and aspires to take another companion. Marie appeals to him; we laugh about it quite enough, thank God.
It is warm; I go out to the Promenade on foot with Giroflé. We scrupulously examine the gardens of Gioia and Rosalie Léon through the railings.
Allow me to return to the subject. You permit it. Very well — it is to say that if Bibi is thinking of Olga seriously, I prefer this to anything else. At least I have the object within reach. A paltry compensation.
I have found my inner self again; it is as calm as can be and looks upon my outward surface with a shrug of its shoulders.
Maman and my aunt take a cab and leave the landau for us.
Dina, myself, Marie and Olga. I am in white and pretty, summer hat.
[Four lines cancelled]
It is only when we return to the concert after a turn on the Promenade that M. Emile d'Audiffret approaches — deigns to approach — accompanied by the faithful Fiouloulou. Did I mention that Chevalier and Fiouloulou were the only ones to have paid calls? And observe: the two worst of the lot.
He even deigns to say what a pretty carriage, that it is a real bouquet of flowers, and so forth.
"That is precisely what I was saying just now," I say.
And that is all. Barely a few words exchanged, and they immediately take their leave. Still, we were together in the same group and I found him quite amiable. But Fiouloulou! He talked very fast in both of Emile's ears, without stopping — one might have said he was prompting him through the ear for a performance. They were late somewhere; they were going to hear Marie Ambre, I believe, at some Russians'. Imbeciles.
We go home at half past seven.
We sit down at the piano, Marie accompanies with Olga. I launch into my Orpheus and Eurydice and sweep the entire company into "Girofle-Girofla" — we dance like madmen the full length of the salon, singing all the while: Bihovetz, Walitsky, Barnola, Nina, everyone, everyone, just as in "Girofle-Girofla"; we are out of breath and cannot stop. Barnola, bounding all the while, puts on a woman's hat and plays the bashful one from behind a curtain, with his dark bearded face!
This goes on for quite some time; we part dancing and bounding — with some difficulty in shaking hands, since as one rises the other sinks, like ocean waves.
The madness had seized everyone — it was adorable. And when we are left on our own, we speak of the Surprising One. They say he pleases me, and I say no — but that I always need someone, and that honestly he alone here can call himself a man.