Monday, 13 September 1875

Come, let me collect my thoughts a little! The more I have to tell, the less I write. It is because I am impatient, on edge when I have a great deal to say.
What life, what animation — music, singing, cries everywhere. I feel well here; the people around me are like me.
Some, as Wilkie Collins says, live sitting, others walking, and still others running. I live running.
We go nowhere in particular but drive all over the city in the landau, dressed up to the nines. Oh! how I love these dark houses, these porticos, these columns, this massive and grandiose architecture! Be ashamed, French, Russian, English architects — hide yourselves underground!
The gimcrack palaces of Paris — sink, crumble into the earth!
Not the Louvre — the Louvre is beyond criticism — but everything else. One will never approach this superb Italian magnificence. I opened wide eyes seeing the immense stones of the palazzo Pitti! The city is dirty, in tatters — most of the houses are nearly in ruins — but how much beauty there is!
The viali Galileo, Machiavelli, and Michelangelo are admirable. The porte sante!
O city of Dante, of the Medicis, of Savonarola — how full you are of superb memories for those who think, who feel, who know!
Such masterpieces! Such near-ruins!
O scoundrel of a king! Ah! if I were queen!
We go to the Cascine and stop in front of the restaurant where it is fashionable to stop; the gentlemen come up to the carriages and speak to the ladies. There were four of them — and I wager they are the Saetone, Girofla, Fiouloulou, and Danis of Florence.
My aunt goes out alone in the evening to look at the shops, but after half an hour she returns. Two men followed her all the way to the hotel.
Ah! how good it is here. Only in the evening does one go out, sing, shout! How I love this living, mysterious, poetic life!
We passed by the Villa Demidoff.
What a fortunate man! I cannot understand how one can think of a man who cannot give wealth, a name, splendour.
At least, I cannot. The others — let them do as they please.
We are here as in a savage wood, like Dante — per una selva selvaggia. We know no one; it is the height of unpleasantness. I do not know where one goes, what festivities there are — nothing, nothing, nothing!
But as a Russian poet said: our happiness lies in a wretched ignorance. It is true — I know nothing here and am more or less at peace. I would greatly resent the person who drew me out of this wretched ignorance by telling me there is a ball here, a party there. I would want to go and would be tormented.
How droll they are in Nice! Daniloff came to call and says there is talk of a marriage between me and Hector. My aunt, at this, set about tearing Hector to pieces with all her might.
To be sure, to be sure, said Daniloff — one could not, if he is a young man as depraved as — may the devil take him.
And she tells all manner of things, and as proof of the prodigality of the said young man's madness — so depraved — she recounts that he often picks up some woman in the street, takes her to supper at the London House, laughs, amuses himself, then throws her a five-hundred-franc note, saying:
— Be off with you now — do you think I want anything more from you! I have given you supper and that is all — be off with you!
That is precisely it! It smacks of the grand seigneur. It pleases me more than I can say.
I write, and down there on the square there is singing, bustle, laughter,
shouting!
Ah! how beautiful it is!
One has no desire to go to bed — one would like to live by night and sleep by day.
I wrote to Alexandre to send me horses. There is nothing like Russian horses. There is a superb moonlight and our hotel is on the one section of the Arno that is neither ugly nor dried up — unlike the superb River Paillon of Nice.
I am beside myself — tomorrow, visits to the galleries, the palaces.
Ah! how well one lives here!

Notes

"Per una selva selvaggia" — "through a dark wood" — Dante, Inferno, I.2.