Monday, 16 August 1875

Yesterday there were races at Wiesbaden, today again. We do not go (Maman has her own concerns). I do not care to go — I believe there will be nobody there.
Poor Carlo, dear Carlo! It is abominable — and if I were happy myself, I would weep.
In my dressing gown, my head wrapped in a white veil, I take a bath at eight o'clock.
Dinner is at one o'clock — a detestable custom for those who eat in earnest. One feels heavy and good for nothing.
At four o'clock, Machenka, Dina and I go to Wiesbaden in search of a carriage and two horses suitable for me to drive myself. But among these cursed Germans one finds nothing. We waited an hour in front of a stable surrounded by a crowd of German boys and girls, dirty and ugly, who stared at us, and when we left broke into cries of hourra! And Dina and Machenka burst out laughing, saying it was in honour of Her Majesty.
We return very late, by beautiful moonlight that reminds me of Spa, and we talk of Spa, then of men, then of marriages, and finally of abductions. Several times the tarot cards have predicted that I shall be carried off.
And every day I warn Maman to be on her guard and not to complain afterwards, since she has been forewarned.
I can only be carried off by force — I shall never consent.
What would be the point? I would never want a man with whom marriage would not be honourable — brilliant, even. Well, if the man is good, why flee, why hide? Who is there to prevent me from marrying him? Besides, one only marries for the first time once — one must therefore make as much parade and splendour as possible, and not simplify.
One will say that an abduction is even more splendid and more romanesque.
Granted, but one can be carried off after marriage just as well as before, and as many times as one likes — whereas the ceremony of the orange blossoms is unique, like death.
At ten o'clock we come in, and my aunt's letter is read aloud to me. She writes in Russian, but I shall speak in French and say only what particularly interests me.
"Girofla had come to Nice (this is probably the same visit she speaks of in the previous letter)
and then rushed off again to Paris. I asked whether he had gone to visit our people, and he said he had not dared to present himself, not knowing either Stiopa or his wife. He says he is going to Wiesbaden and that it is very pleasant there."
Can you imagine? But I shall believe only my own eyes — this naughty boy is a prankster and capricious.
Notwithstanding my doubts, I am animated and awakened by this news. Schlangenbad makes me drowsy.

Notes

In German in the original (hurrah).
Romanesque in the literary sense — novelistic, dramatic, in the manner of a romance or adventure novel — rather than merely "romantic" in the sentimental sense.
Marie's code name for Emile d'Audiffret, taken from Lecocq's operetta Girofle-Girofla (1874).