Friday, 25 June 1875

I scribble less since Audiffret left. So many unpleasantnesses I have, so many troubles!
No one knows how to manage the household — money goes, there are debts, everything is terribly tangled! Abrial, our lawyer, has cheated so thoroughly in all our affairs that suddenly we must pay more than sixty thousand francs.
Duval had consented to be paid over the space of four years. The matter is entrusted to the lawyer, and now Duval demands full payment at once. There is nothing but judgements, lawyers, solicitors! It is hell! I am completely crushed... A telegram has been sent to Russia.
When Alexandre arrived he brought a hundred and eight thousand francs. Nothing has been purchased — I cannot understand how it happened, but this money has been squandered. A hundred and eight thousand francs in two months, living as we live! It is enough to drive one mad! It is abracadabrant, as Gambetta says. Ah! You see, republics are worth nothing — not in a country, and not in a household.
Now that I study less, I shall take everything in hand and make myself queen of the household. I shall bring money from Russia; I shall pay the debts first and then give Maman and my aunt what remains. Otherwise it is murderous.
No fortune can withstand such disorder. Good Lord above! I have gone pale since this morning, since I learned of the fine state of our affairs. Provided God sees fit to pull us through this time — in future I shall look after things.
My God, my God — I am utterly stunned. My God, help us here.
It is worse than the Cretan labyrinth.
We are living by the system of Law.
And at the end I glimpse ruin — like a hideous monster!
My God, get us out of this situation.
In future I shall put everything in order — I shall take charge. Never have I seen, and no one has seen, and there do not exist anywhere in the universe women like my dear mothers. Children, babies — upon my honour, one must hold them by the hand.
I am completely undone today. They will be the death of me!
My God, have mercy on me.
But then am I not also mad to have ordered eighty thousand francs' worth of furniture knowing the state of our affairs, knowing our people! It is a wicked folly — ==confiteor, confiteor, confiteor!=
We order this furniture; I whisper in my aunt's ear what needs to be done — she listens to nothing and seems made of wood. She executes nothing in writing, so naturally the miser Duval does as he pleases.
The scoundrel profits from it, and naturally so. Oh! The poor queen of Spain!
On account of all these griefs I played a Beethoven adagio with remarkable feeling and tenderness. See how things depend on each other. Laussel will be pleased.
==Miserere.=
[One line cancelled: Saturday, 26 June 1875]
With all these vexations I had forgotten my dream. Here it is: I receive a letter from Miloradovitch in which he tells me he is in Paris, that he awaits me to console him in his unhappy love. I want to leave — but instead of that I see the Duke of Hamilton; his head was shaved and his hair appeared grey and ugly; he himself was not like himself at all, but resembled Bihovetz rather.
We are all seated in rows of chairs before Gioia's house, as if in a theatre. Suddenly a ground-floor window opens and Dina appears at this window, smiling mischievously at the Duke — and he is so vexed that there should be any allusion to him and that woman that he rises and walks away, thoroughly darkened. And I do not know what to do; I am all dismayed and ashamed, as if it were my fault.
Now I am at the station in the great hall with all the others. I come to sit beside my aunt, who is near a table, and facing her are the Duke and Gioia — beautiful and young. I was looking at her, not at him, believing him still displeased — but he, divining my thought, lifted his head and smiled at me. And then I become happy. I dreamed of other things, but after that smile I can no longer untangle anything.
I am ready for bed when my friend Barnola is announced. I come down in my dressing gown (I am wearing now a Watteau-style dressing gown with a train two and a half metres long — white with violet circles, trimmed with violet and black. It is a charming dressing gown; it was my aunt's). I find them at tea.
Collignon has been hiding for a few days — she is quite odd.
Barnola says such good things of my voice that I am beside myself with joy. He is a great connoisseur and I believe he is not speaking to flatter — he is a serious and honest man. He says I can have a voice like la Vigier, like la Stoltz, that it is surprising, marvellous. That one must work and that I shall achieve great things. That beside my voice, the voices of the notables of Nice like Francia are nothing, nothing at all.
Judge of my joy — he is not lying; I feel it, I know it. One of my greatest ambitions is to sing marvellously. All this past winter I could not produce a sound; I was in despair, I believed I had lost my voice, and I fell silent and blushed whenever anyone spoke to me of it.
Now it is coming back — my voice, my treasure, my fortune!
I receive it [Four lines cancelled: Wearing Valenciennes lace around one's face, falling on the forehead and tied under the chin] with tears in my eyes — my heart leaps and I prostrate myself before God!
I said nothing — but I was cruelly grieved by its absence this winter; so grieved that it was for that very reason I dared not speak of it.
But I prayed to God and He heard me!
What happiness, what pleasure it is to sing well! One feels all-powerful; one has the gaze of an eagle; one believes oneself a queen; one is happy — happy in one's own merit. It is not the pride given by gold or by titles; one is more than a woman; one feels immortal; one detaches from the earth. One soars to heaven!
And all those people hanging on your lips, listening to your singing as to a divine voice — electrified, enraptured, transported!
You dominate them all!
After true royalty, it is the sovereignty one must seek — the sovereignty of beauty comes only after, for it is not all-powerful over everyone.
But song lifts man from the earth; he soars above all in a cloud like that in which Venus appears to Aeneas.
Wearing Valenciennes lace around one's face and tying it under the chin.
H[is] G[race] t[he] D[uke] o[f] H[amilton]

Notes

"Abracadabrant" — a coinage popularised by Léon Gambetta in a speech of 1872, meaning fantastical, incredible, absurd.
"Bigre de bigre!" — Marie's emphatic mild oath, a double intensification of "Bigre!"
The labyrinth of Crete — built by Daedalus to contain the Minotaur; proverbially inescapable.
John Law (1671–1729): the Scottish financier whose Mississippi Scheme and paper money experiment ended in the catastrophic financial bubble and crash of 1720 — proverbial for ruinous speculation.
"Confiteor" — Latin: "I confess" — the opening word of the Catholic Act of Confession prayer.
"La pauvre reine d'Espagne" — likely a reference to Queen Isabella II, deposed and exiled in 1868; used here as an expression of sympathy for the powerless or hapless.
"Miserere" — Latin: "Have mercy" — the opening word of Psalm 51 ("Miserere mei, Deus"), used here as a cry of anguish.
A dressing gown "forme Watteau" — styled with the flowing back pleats characteristic of the 18th-century painter Watteau's subjects.
La Vigier — Félicie Vigier, celebrated French soprano of the period.
La Stoltz — Rosine Stoltz (1815–1903), famous French mezzo-soprano of the Paris Opéra.
In Virgil's Aeneid (Book I), Venus appears to her son Aeneas wrapped in a divine cloud.
Valenciennes lace — a fine bobbin lace from northern France, among the most luxurious laces of the period.
In English in the original: Marie's obsessive abbreviation for His Grace the Duke of Hamilton.