Friday, 21 August 1874

Following Basilewsky's advice, I lunch with my aunt at the beach and I eat.

It is cold; I put on the grey dress. The Tamancheffs come and we all go to the pier. Walitsky asks a man -- a fisherman, I believe:

"Is Doria Pamphilii here?"

"Yes, yes, Monsieur."

We laugh. But what is my surprise when I truly see Doria. Doria Pamphilii has become our watchword [Crossed out: the word for]: when one means good, one says Doria; bad, likewise. Everywhere, for everything, one says this name. Lise and Katia have adopted it too.

There is a dreadful wind. I go home and sit near the balcony, with The Key of Dreams, which contains a section on palmistry at the end. I have discovered admirable lines on my hand -- the luck line especially. But the beauty mark I have on my left shoulder means I shall live in solitude and have a jealous husband. It is ugly. Brutto.

While I was absorbed in examining my hand, I raise my head and see Doria; I go back to examining, but I blush.

Here again, as at Spa, we have had the luck of lodging where everyone passes.

Basilevitch comes and begged us to dine at the Pavillon Royal with her. I accept, but the food is bad. From there we go with her (my aunt and I) to the Kursaal; no seats as usual. My aunt finds a chair and I go with Basilevitch to the reading room. This woman wanted me to -- [Crossed out: to have white flowers (two illegible words)]. I am not, thank God, ill in that way. She is disgusting sometimes. My aunt soon joins us. In comes Countess Merjeewsky, greets us and goes out; a second later Merjeewsky comes. He wishes to introduce me to his friend Baron Leiss, who has asked for it a long time; I barely had time to say that first he must introduce him to my aunt. So she introduces him to me; he passes to my side and stays with Merjeewsky the whole evening before me.

My aunt is pleased with me. I was talking with these two and noticed nothing, but Basilevitch told me that several Plobsters and Prince Radzivill passed several times to look at my feet. To which my aunt replied:

"It is no doubt Mme Basilevitch's feet, for one does not look at a child's feet."

"No doubt," I say.

And I looked towards the door where Radzivill was leaving, and I caught sight of Plobster -- the real one.

"Who is that gentleman?" I asked.

"He is the Count de Mulinare."

How pleased I am! I am never wrong; I saw at once he was a Plobster. They say he is a great show-off and a great poseur. So much the better -- his style pleases me.

When we were at the Hotel de France, Maman saw him and came upstairs that very instant to tell me there was a Plobster in the dining room.

How I have trained them all!

He had that evening an impossibly affected air. I looked at him almost smiling; he did the same. He too made rounds for my feet, and standing near the door kept looking at them. Nothing serious or in bad form; he pleases me, I look at him and my eyes laugh, he looks at me the same way, and it is all very well.

Baron Leiss leaves and I remain with Merjeewsky. Those two are hard to make talk. Merjeewsky with his riddles! It seems he has my photograph.

While we were speaking, a man behind the column was listening. I did not trouble myself. I told Merjeewsky that if he did not return my photograph I would not speak to him for two weeks:

"I shall try to hide so as not to expose you to the unpleasantness of meeting me."

"Oh! I know you are very obliging."

I did not give him my hand.

Basilevitch asked my aunt whether I was a great coquette.

She answered as she did about the feet.

We go to the Merjeewskys', then home.