Monday, 8 September 1884

Monsieur Bastien-Lepage has sent his manservant to say that he is at home and begs these ladies — all these ladies — to come and see him. It is raining.
Naturally we go.
There is the old painter Jean Gigoux, to whom he is showing his etchings.
There are only six: Wolff, three other men, and two poses of the Mackay.
He turned them over with perfect composure. She is adorable in her engraving. One full-length, in a hat; the other the head only, with a fichu. I found her expression ravishing.
Then the post brings a small box of strawberries and a bouquet of edelweiss and forget-me-nots.
I immediately imagine with conviction that it is from Mackay, and... these things have a strange effect on me; it is as though all my strength had drained away, leaving a limp body and a disordered mind — in short, I become stupid... It is as though one said to oneself: there is nothing left...
And yet. Then a silent anger takes hold of me — why am I here?
— What is the matter with you?
— It is my wisdom tooth coming through — it makes me all strange...
— Ah! It is coming through?!
— Yes.
— Not before time.
In the end I go home telling myself: It is all over. Quite over. What? Who? One does not know. What has happened? I know nothing — something disagreeable has occurred... and the fear of calamities to come. To shield myself from them, I tell myself: it is over. Over. Over.
I shall stay at home...
Besides...
The poor fellow is getting better — perhaps he has no cancer after all.

Notes

Jean-François Gigoux (1806–1894), French Romantic history painter, a surviving figure of the earlier generation whom Bastien evidently knew.