Notes
Louise Breslau (1856–1927), Swiss-German painter, Marie's most formidable rival at the Académie Julian. She had recently won an Honorable Mention at the Salon (1879) for her painting of a young woman reading; Marie's reference to "her peasant woman" alludes to a later outdoor or genre subject. Breslau went on to become one of the most successful female painters of the Third Republic. ↩
Jean-Martin Charcot (1825–1893), professor at the Salpêtrière hospital and the most celebrated French physician of his era, renowned for his work on neurological diseases. He also treated pulmonary patients. His confirmation that Marie's right lung is affected is the clearest diagnosis yet of the tuberculosis that would kill her in 1884, three years later. ↩
Gloriae Cupiditas (Latin): Desire for Glory — Marie's chosen title for her diary, inscribed at the head of each new notebook. She misspells it "Gioriae" here. The phrase encapsulates her deepest ambition: fame, recognition, immortality through her art. ↩