Tuesday, 28 March 1876

— You love me.
I had only to turn my head slightly to meet his eyes.
— No, I said.
— You don't love me?
— No, I said again, and our faces were so close, so very close, that I marvel there was no spark — for I learned in physics that when two fluids, one negative and the other positive, draw near to one another, a spark is produced.
— You see, then! he cried. What is one to do when only one of them loves! You are cold as snow, and I love you! Do you love me? he said again, but more gently now, and with eyes so tender that…
[Crossed-out words]
— No, Monsieur, but it may come.
— When?
— In six months.
— Oh! "At six months' date I hereby undertake," etc.
— You will not wait?
— No, I will not wait, I love you; I have a passion for you and you make sport of me. I understand you perfectly — you are quite sure of my love, you don't love me, and you drag things out to amuse yourself!
— Indeed, you have guessed very well.
He came closer still, so close… too close.
— Even if I loved you, I said, it would be too difficult — I am too young, and then there is the matter of religion.
— By Jove, I know it well enough! I too shall have my difficulties — you think I don't! But you cannot understand me because you don't love me. I would have proposed that we elope.
— How dreadful!
— Wait, I am not proposing it — it is dreadful, I know, when one does not love. It would not be dreadful if you loved.
The wretched man is right.
— Monsieur, I beg you not to speak of this to me.
— I am not speaking of it; I would speak of it if you loved me.
— I do not love you.
I do not love him and I am almost in his arms! What an absurdity. No, listen — as Torlonia says — I no longer know what I am saying.
I believe he has spoken to his father and was not received tenderly. I cannot make up my mind — I am entirely ignorant of the terms. And for nothing in the world would I consent to go and live within a family; I have enough of my own — what would it be with strangers! Am I not remarkably sensible for my age?
I will follow you, he said the other evening.
— Come to Nice, I said to him today — will they let you come?
— I don't know, he said, lowering his head; if I go to Nice, people will think I am going to gamble.
— Say that you will go for my sake.
He made no answer and remained with his head bowed — which proves to me that he has spoken with his father.
I do not understand myself at all. Do I love him or not?
If Antonelli is rich, I love; if he is poor, I don't love. I believe I am stating this correctly.
I must speak to him openly, ask him what the arrangements are — and that is difficult, for he has wit enough and will understand at once.
I shall have to say I love you, and then begin the interrogation… yes, but if I tell him that he will refuse to hear anything further and will behave like a madman.
What is to be done? I am in no great hurry to marry — except in an exceptional case. I am not head over heels in love.
I have found it! Eureka! At the first opportunity I shall say what I know.
It is too silly, upon my word of honour — I forgive Torlonia everything and I want him with all my might.
I must leave Rome. There is nothing more to be done here. I have had from Rome all that I can have of it this year. One must not force things. Nice begins to smile at me again.
But what a misfortune! A letter arrives addressed to Walitsky — we open it. It is Trifon who writes these four lines alone:
M. Walitsky
Yesterday, Yourkoff killed himself at Monaco. Madame Romanoff
is at present at Madame Sapogenikoff's.
Trifon.
Bigre! Bigre! Bigre!
A chill ran down my back and I burst out laughing. I always laugh when I am very moved or frightened.
That rascal Trifon could not keep the news to himself. Trifon is an amusing sort of servant — quick, inquisitive, intelligent, a thief, depraved, devoted, a schemer, and honest in his way. But poor Paris! Nina has surely gone mad. I remember how desperate she was over the death of her favourite dog. And when I think that this is Yourkoff — her adoration, the man for whom she sacrificed everything, for whom she left Russia, her home, her wealth, her social standing! Wretched Paris! Wretched Nina!
I am frightened of myself now. For the past two weeks it had seemed to me that someone was going to die — I spoke of it at home and they called me an owl, and I laughed and sang passages from Verdi's Requiem.
It also seems to me that we shall soon be in mourning — I often forget myself and speak as though someone has already died, and am surprised to see coloured dresses.
Pietruccio promised to blow his brains out after passing his officer's examination, to give me the spectacle of a military funeral — but yesterday he changed his mind; instead of killing himself he is going to enlist in the navy and go off to some unknown country. He mentioned it to his father. His father sent him to the devil.
Maman was so shaken by the death of that wretched Paris that she had a violent attack of nerves. This dreadful news reached us at eight o'clock. It is now ten. Maman is in bed and still suffering.
I did not go out today. I spent the day shut up in my room, thinking that meanwhile Antonelli might well be with some woman — which displeases me greatly. But I have no right to forbid him: I do not love him. Which does not prevent me from being jealous. Away! It is time to go home to my blue room, to get to Russia more quickly — and to return from it more quickly still.
Lacrymosa dies illa
Qua resurget ex favilla
Judicandus homo reus
Huic ergo parce Deus.
How funereal! I have no occupation, I languish, I am bored stiff. What a charming word.
Antonelli has worn thin, Plowden interests me only as one more admirer, Torlonia would interest me if I interested him at all.
Before leaving I must make a picture showing all these gentlemen. Pandola, z… z… Zucchini, Pietro, Torlonia, Plowden, Odescalchi, etc. Today I began a portrait of the Pope, in oils, smaller than life. I shall give it to the sisters of the Good Shepherd. It will please those good girls. I am working from a photograph, and I find that making copies is as easy as drinking a glass of water — after having painted from life; one who has never painted from life does not know what painting is.
Antonelli did not come. Why? He was to have had an interview with his father — he didn't say about what. A devil whispers in my ear that he does not love me seriously — that is to say, he dares to speak to me of love yet does not intend to marry. For after all, he has never yet said to me plainly and simply: Will you be my wife? It is not admissible that he should have said so many things merely to pass the time. And then — one may disbelieve words, but one cannot disbelieve the manner in which they are spoken. It's not what you say but how you say it. So it is not him I doubt. No, I do not doubt him. He means what he says. But here is what I suppose: he has spoken to his father, who balked — hence the certain hesitation I thought I detected in Pietro.
Truly it would take some nerve to say to me what he has said with no intention of marriage. I say all this to soothe my self-esteem, which is not entirely satisfied — for I do not wish to marry Pietro. I know that with time he will be very rich, but in the meantime I should have to live with his father, his mother, and his two brothers, in two or three rooms they would give us. You will readily understand that this prospect does not tempt me. But I would like to see the family of my young friend make the overtures proper to the satisfaction of my vanity.
Last evening I had a desire to lay my head on his shoulder and tell him I love him. I would not be entirely lying. I know how to do it as a game. But no — even in jest I could not so humble myself. I want to be adored, and for the man to count himself only too happy to obtain a superb condescension. But Pietro is not made of that sort. He wants to be loved as he loves. He wants it. He is right, and he rises in my estimation. He loves me but he does not obey. That surprises me a little. I thought one could command him and treat him like a dog. One can command him — but without showing it; otherwise he rears up. I have never seen a more hot-tempered man. He catches fire like a match at the least word. He also takes seriously the greatest nonsense I say. But that is a fault common to all who truly love.
I should not like to lose Pietro — he is a charming fellow, and besides it would humiliate me. I must confess, to my shame, that the drunkard's face haunts me. Now there is a very different sort of man — which is to say: if I struck Antonelli a blow he would not return it, whereas Torlonia would return it and give me two more besides. Torlonia is more wicked than Antonelli — perhaps that is why I am drawn toward him. Hot-tempered, insolent, incapable of poetry — oh, entirely incapable — inclined toward cynicism and toward anything at all that satisfies his indomitable caprices. Such is the man Torlonia appears to me to be, and I am not mistaken. He cannot love, you will say. You are absurd! He can love — and it is a man like him who truly knows how to love, to the point of madness. If he loved, nothing would stop him — neither physical obstacles nor moral ones. He would shatter the first with his fist and the others with his iron will.
— I love everything that is strong, he said.
I too love everything that is strong — that is why I love him. This confounded French language has but one word for so many things! In French one loves a dish and one loves a woman. There is no love and like as the English have. I do not yet love Torlonia but I like him enormously. It is written that I shall always have some scoundrel or other before whom I bow more or less. I want to be adored because I am capable of adoring.
I adore the Duke of Hamilton — for me he is the One Who Is. Besides, it is very stylish to have some shadowy figure for an idol, before whom to bow, whom to worship, to whom to sacrifice all and before whom to humble oneself. I love to humble myself of my own free will. There is in that something supernaturally great. Hamilton is also a great drunkard. Let us hope he will not be too besotted by the time I am able to go to him and tell him of all my madness for him.
— It is not love I have for you, Antonelli said to me — it is a passion.
I make sport of him because he is mine. Were he far away he would seem to me a golden lion — but because he comes every day, because he spends his time at our house, because he tells me everything, he seems to me a wax sheep. After seeing him with fashionable ladies and gentlemen of the Caccia-Club, I like him far better — I am even jealous on his behalf.
He did not come this evening. Why?
I may be ridiculous, but if someone loves me, I demand that he do nothing else. A word said to another woman seems to me an infidelity, an unforgivable lapse.
What! He could have come and spoken to me and he did not! I told him I did not love him. But how can I tell him I love him if he has not yet knelt before all my caprices, if he has not trampled everything underfoot for my sake? I do not know if everyone is like me — but I know what I am like.
Nothing before me, nothing after me, nothing outside of me! Such a love does not exist! Oh, but it does. When I love I shall love in that way.
Have I made myself sufficiently understood? I think so. If you do not yet know me, you are brutes.
Let us get married and go and find the Duke of Hamilton. One must see what he is like.

Notes

In Italian in the original.
Latin, from Verdi's Requiem, "Lacrymosa": "That tearful day / When from the ashes shall rise / Guilty man to be judged — / Lord, spare him then."
The Bon Pasteur (Good Shepherd) convent — a Catholic religious order.
"Love" and "like" in English in the original.
"Celui qui Est" — "He Who Is," the divine name revealed to Moses (Exodus 3:14).
Caccia-Club: an elite hunting club in Rome, frequented by Roman aristocracy.