Tuesday, 9 December 1873

Tomorrow!
I fell asleep yesterday at about eleven o'clock and I rise at half past five. I feel fresher, but I see one thing: instead of a fit of despair, of rage, the pain spreads gently over my existence. I no longer have those attacks of tears and despair, but I grow calm; I no longer catch myself jumping or running, or smiling at what I think. My movements become languid, indifferent; I often do not hear what is said to me, for my thoughts are far away. I go out for the sake of going out; I am cold, even towards my "Derby," which I scarcely look at. Before, the slightest thing excited me, interested me; I would come to tell what I had seen, to ask what and whom they had seen, to talk without stopping, without finishing my words -- in short, to have a constant smile on my lips, to be lively, giddy even. In short, to be a child without cares, full of hope, trusting, loving everyone, not believing in evil, and happy -- happy as happiness itself. Certain that happiness alone awaited me, that the great question was merely time, but that what I wanted would come to pass, infallibly.

^["Fit" in English in the original.]
Now I am indifferent, serious; I laugh, but only in company, or only for the sake of laughing.
I have a sorrow; I am more a woman.
May the devil take it -- being a woman! Must one have a sorrow to be formed? A disappointment! A broken trust. I am no longer sure of anything. I can no longer say that one can do whatever one wills. Which I was foolish enough always to say -- and why? God has punished me. What vexes me most is that I am no longer confident and assured; I have lost my gaiety. It is a pity.
We go out in the carriage (brown dress, very well), then I walk with Hitchcock. Barter No. 1 walks with us -- it vexed me a little, for I criticize the Boutowskys when they are with boys, and I should not like to be seen myself walking with cads. He goes away when I say good day to Mme de Pierlay, who has just arrived. There is a very fine Russian contingent of ladies, very good names; Woerman is with them. I wanted to stay longer, but then I said to myself: why? What is the use of it? I shall only be discontented afterwards. I go home and sit straight down at the piano. I have not worked enough these two weeks. I am going to read Dina "The marriage of the duke of Hamilton" quite calmly, having told her there is such an article. She asked me whether they sacrificed pigs and slaughtered pigeons for the occasion. "But no, on the contrary, it is magnificent," and I read it to her. "But they are very kind, over there," she says, on the subject of the gifts and the rejoicings. But it was charming when I showed it to the princess: she seized her heart and said, half laughing:
-- Ah, Moussia, it is truly as if they had taken away my fiance.
She begins to read and feels the same thing I felt at all those festivities, those parades, those triumphs. At the ball she says:
-- Ah, that ball could have been for you; it could have been everything for you. Then: "Ah, that drunken monster." Ah, princess, how terrible you are.
Having finished, she says to me:
-- But I do not know how to tell you what I feel; it is so... I cannot express how -- to the point that I read it a second time. When she came to the gifts for "Lady Mary" (again, that "Lady Mary" gives me a fever), she let out exclamations, shook her head, and uttered several oaths as she read.

^["I read it a second time" -- in English in the original.]
I understand perfectly what she feels for me. I was playing the piano while she read.
She awakened in me envy and jealousy. "That I understand," she said, "to be a duchess, rich and all that, but in England -- for look at Italy, look what miserable dukes they have." She is excited and transported by the article, so pompous, imposing, and magnificent is it. She feels and thinks exactly as I do, on this point (on others, she is a little silly).
What would you have me say! One cannot be more angry, envious, and disappointed than I! I do not speak of my love -- I am too proud. I am confused, and seem to myself like a dog biting its tail; I pity myself.
"Yes, I weep with rage!
"With rage and with regret, etc." (La Fille de Madame Angot)

^[From La Fille de Madame Angot (1872), the popular operetta by Charles Lecocq.]
For I may well marry a Russian prince or a French marquis -- it will be nothing extraordinary.
[Annotation: 1875. Above all, it will never be the Duke of Hamilton.]
It will never be as in England -- that luxury, those immense pomps, solid above all. Those magnificences, that aristocracy, those castles, those noble ruins. In Scotland above all! Those legendary old towers, those seats of families through centuries and centuries. Those antiquities -- not antiquities like Italy's, which make the heart ache, but noble, rich, luxurious, imposing ones that make the heart pound and the fingers freeze. This is my paradise; this is what I desire, what I implore, what I beg for, what I desire with all the force of my soul -- wretched and great without end! This is what I would give everything in the world for! What I adore! Why I live, what is made for me and what I am made for. Even if it were not he who was marrying, but another, I should envy and rage all the same; but when it is he, he whom I love, whom I believed -- by what unpardonable madness I know not -- was meant for me. But it is beyond all expressions that exist! All the Muses and Apollo could not express what I feel. I feel myself -- by what absurd, mad, stupid madness I know not -- robbed. I am angry at everyone. As if they were taking what is mine, mine, and tearing it from me, stealing from me, murdering me. But I feel tears rising in my throat, my breathing becomes painful, when all at once I see him -- in my imagination -- in a carriage, flashing past like an arrow. When he appears so vividly before my eyes, I believe I see him: I see how he sits; I see the folds of his jacket, the plaids, his neck, the movement he makes when the carriage starts. His face, at last -- his expression, noble and majestically young, fresh, strong; his gaze, lively, a little mocking. Those manners, natural, bold, fat, careless -- when he whistles, when he speaks. In short, when I see him I am breathless; the pen no longer writes -- it flies. I no longer feel the ground beneath me; I am carried away; my heart swells, and the tears first make themselves felt in my nose, then cloud my eyes; my mouth opens...

^["Seats" -- in English in the original: ancestral family homes.]

^["Fat" and "careless" -- in English in the original: conceited and nonchalant.]
[Annotation: 1875. Yes, that is exactly it, and I feel the same thing now.]
It seems to me I could never disobey him; one feels subjugated by his gaze alone. Seeing him for the first and last time up close, at the shooting, I said to myself that it is not Gioia who holds him, but he who holds Gioia. He is a young man -- robust, vigorous, lively, and commanding. Every gesture is a delight.

^["Commanding" -- in English in the original.]
He has the face of a king; it seems to me that if one dressed him as the ancient English kings, or in Scottish costume, everyone would bend the knee before him.
I can never say well what I mean. He is not one of those model kings as in Italy, with great plumes on their hats and cloaks trailing behind, with satisfied and superbly banal faces. He is fresh -- he is English!
There -- that is what I can say: he is English. He is the ideal of an English duke. I have a passion for that title; king is nothing compared to duke, for me. I am mad!
What is the use of exciting myself like this? For what happiness! Am I foolish enough!
But I love him. Thank Thee, my God, that Thou hast permitted me to feel and to understand today.
I can well believe they must all rejoice, all those people, at the return of the Duke of Hamilton; he becomes again what he ought to be. Everyone, the court, must be happy to recover his name. I imagine all the favors, all the honors. He returns, he resumes his place, he becomes once more a noble Englishman, the head of one of the most illustrious families, marries according to his mother's wishes -- everything is perfect, superb, splendid. One could not make a greater sensation.
Everyone will seek him out; he will return as into his family, into the society that will receive him with open arms. All of that would act upon -- I know not whom -- upon a devil, and make of him a good man. He will be charmed; he will not be bored at all; he will see that this life is better than the other, and he will see it only because he has known the other.
Tomorrow! Tomorrow! What contrasts! I in this wretched room, they in palaces; I with Bete and Solominka for company, they with the queen and the princes!!
If only they do not come to Nice. I am afraid of that -- I am afraid! What will become of me then? Oh, great God, spare me that torture!
[Written across the page: God heard me, and they did not come to Nice.]
And yet to see him is so incomparable a happiness!
No, I do not want it. My God, have pity on me. If I see him with her...
Grace. Mercy. Oh my God, save me!
Tragic end of the thirteenth book -- ugly number, as unhappy as this journal.