Thursday, 29 December 1881

Eight days since I wrote — which [blacked out: proves] to you that my glorious existence has revolved around a little work, Mother Gavini, Villevieille and so on. Nothing new — and yet, yes, I am
well — I go out; I went to try on dresses, to the Bois, and to Julian's.

Saturday with Maman and Dina... And Sunday to church, so that no one should say I am at death's door as charming Berthe is telling everyone. On the contrary — I am filling out again; the thin and withered arms of ten days ago are rounding out. That is to say, I am doing far better than before my illness. Eight more days like this and I shall have to stop putting on weight — I shall be just right, for I do not wish to recover the rather angular hips of three years ago. Julian, who came last evening, finds me much more harmonious this way.

We laughed all evening. I am doing the portrait of Paul's wife; yesterday I had such a return of strength that I wanted to paint Dina, Nini and Irma all at once. [Words blacked out: Irma is not an ordinary model — she is the type] now vanished, they say, of the grisette: she is comical and sentimental, with the innocences of vice. "When you have become a kept woman," I said to her the other day. "Oh! I [words blacked out: am not lucky] enough for that." She poses intelligently; one can make of her what one wishes, for with her extraordinary pallor she is equally well a candid young girl or [words blacked out: an abyss of] depravity, like all these loose women. She asked permission to stay even when not sitting, and spent the afternoon doing crochet before the fire.

Notes

The portrait of Paul's wife — "Nini" in the diary — is catalogued as Portrait de sa belle-sœur (Alexandrine Patchenko), oil on canvas, 92,5 × 73 cm, monogrammed "MB / 1881". It is in the Rijksmuseum, Amsterdam, inv. SK-A-1988, given by the artist's mother in June 1902. Marie never calls the sitter Alexandrine — only Nini, or "la femme à Paul".
Irma sat to Marie through 1882 for the head that became La Parisienne, portrait d'Irma, modèle à l'Académie Julian (oil on canvas, 55,5 × 46 cm), shown at the Salon of 1883 simply as Parisienne. It is in the Petit Palais, Paris, inv. PPP129, given by the artist's mother in 1902.